Audiences were invited to download an MP3 and turn up at a secret location to listen to the track at a specified time.
On the soundtrack the audience would hear a specially composed score along with narration and instructions.
Two MP3 files were made available, so the audience were divided in half. While one group was instructed to perform a simple scene the other group heard this described as if it were a film scene, but they could actually see it happening around them.
Throughout the piece these roles of watcher/performer alternated between the groups, ever increasing in pace until by the end they are all performing/watching simultaneously.
The work is a snapshot image of contemporary Britain, allowing the audience to watch it, reflect on it, and live it. It explored ideas of how mobile technology can create social disconnection in shared public spaces. It also looked for ways to use those same technologies to create connections between strangers and friends, to savour the moment and the temporary space that was created during the performance.
This is no requiem, this a celebratory slow dance, a chance to savour the world you live in, and to see it with fresh eyes.”
‘as if it were the last time’ is the second subtlemob.
Information and videos are at
I’m still trying to work out what subtlemobs are exactly, but these are the current thoughts -
Imagine walking through a film, but it’s happening on the streets you live in
Subtlemobs usually happen in public spaces
This is music composed for those spaces
This is about trying to make films without cameras
It’s about integrating with a social or physical space, not taking it over
The audience listen on headphones, a mix of music, story and instructions
Sometimes they just watch, sometimes they perform scenes for each other
A subtlemob is not a flashmob
try to remain invisible . . .